Jide Kosoko Reveals He Has Lived With Diabetes Since 1996

Veteran Nollywood actor Jide Kosoko has disclosed that he has been living with diabetes since 1996, saying his decades-long experience has helped him understand his health better. He also reflected on family losses, his acting career and the responsible use of social media.

Daniel Momodu · October 18, 2026 · 51

Veteran Nigerian actor Jide Kosoko has revealed that he has lived with diabetes since 1996, explaining that his long experience with the condition has given him greater awareness of his health.

Kosoko made the disclosure during an interview on *African A-List*, published on YouTube on Saturday, where he discussed his health, family life, career and views on social media.

“I became diabetic in 1996; I understand my health better than some doctors do,” the actor said, clarifying that he was not claiming to know everything about medicine but was determined to protect his life.

The veteran entertainer also spoke about personal losses, revealing that he had lost three wives, including the mother of his daughter, actress Bidemi Kosoko, who died during childbirth.

“I lost my wife during childbirth; that’s Bidemi’s mother. I have lost three wives,” he said.

Reflecting on his career, Kosoko said he began theatre at the age of 10 in 1964 and established his own theatre group in 1972. He described himself as one of the pioneers of the Nigerian entertainment industry.

His career has spanned several decades, covering stage performances, television productions and films, particularly in the Yoruba-language film industry.

The actor also advised parents to treat their children equally and ensure that each child feels valued within the family.

“Treat your children equally; let them know they’re equal in your mind,” he said.

On social media, Kosoko recalled that entertainers were initially apprehensive about the platform when it emerged but had since learnt to use it to promote their work and connect with audiences.

However, he criticised some entertainers for relying on provocative dancing and questionable language to attract attention online, questioning whether such content was necessary for gaining popularity.

His comments reflected his views on the changing standards of public presentation within the entertainment industry and the need for practitioners to use digital platforms constructively.