Veteran Nigerian musician Innocent Idibia, popularly known as 2Baba, has weighed in on ongoing comparisons between Afrobeat legend Fela Anikulapo Kuti and modern global stars like Wizkid. The debate, which has gained traction on social media, centers on whether today’s artistes can be measured against the cultural and political influence of Fela.
Speaking during a recent interview, 2Baba urged fans to appreciate each generation of musicians within its own context. He described Fela as a once in a lifetime figure whose music went beyond entertainment to become a powerful voice against oppression and social injustice.
According to 2Baba, while contemporary artistes such as Wizkid have achieved massive global success and elevated African music on the world stage, their journeys differ from Fela’s era. He noted that the music industry, media environment, and political climate have all changed significantly.
He stressed that comparing artistes across generations can sometimes create unnecessary rivalry and distract from celebrating their unique contributions. Fela, he said, built a legacy rooted in activism, cultural pride, and fearless criticism of authority, often at great personal cost.
At the same time, 2Baba acknowledged that modern musicians face different pressures, including navigating a highly commercialized global market and maintaining relevance in a fast changing digital landscape. He said international recognition for Afrobeats today is partly built on foundations laid by pioneers like Fela.
Fans have remained divided, with some insisting that no modern artiste can match Fela’s political influence, while others argue that global reach and cultural export are equally important measures of impact.
Music critics say such debates highlight the evolution of African music from local resistance sounds to a dominant global genre. They believe each era produces icons shaped by its realities.
2Baba concluded by encouraging mutual respect among artistes and fans alike, saying the focus should be on growth, creativity, and using music as a force for positive change rather than constant comparison.
